- The Deep Dive
- Posts
- November 8, 2023: A New Era of YouTube
November 8, 2023: A New Era of YouTube
This week on The Deep Dive: YouTube history could be bound to repeat itself, the nightmare scenario of realizing your Spotify has been hacked and wonāt stop playing the same French Montana song on repeat, GoPros were fun until we realized our lives werenāt all that exciting plus editing videos is hard, thereās regular Greek life and then thereās Bama Greek life which may or may not be running underground secret societies that rig elections, and how Canadaās Enron went bust and brought Canadian pensions down with it.
Don't forget to check out all the newsletter-recommended video essays to date in The Deep Diveās YouTube playlist and shop The Deep Dive merch here!
INTERNET
Why is YouTube like this? by Zackary Smigel (10:28)
If youāve ever poked your head out of the video essay rabbit hole (speaking of which, subscribe to The Rabbit Hole here!) on YouTube dot com, youāve probably noticed a certain type of video. You know the ones Iām talking about, the type of video the YouTube homepage suggests when youāre logged out of your account. The type of video made popular by a creator whose name rhymes with shmister shmeast. In this video, Zackary Smigel explains where these videos came from within the context of YouTube history and where the platformās content will go from here. What is CoreCore and what century-old artistic movement does it inadvertently reference? And is the 20-year trend cycle bound to take us back to 2005 YouTube?
MUSIC
The Biggest Scam in the Music Industry by mattyballz (18:38)
In todayās music industry, which relies heavily on streaming performance, some artists and record labels are getting pretty creative when it comes to artificially boosting their numbers. In this video, mattyballz takes a closer look at a practice that J. Cole once famously called fellow artists out on: buying and faking streams. Why were thousands of Spotify accounts hacked just to play a French Montana song over and over again? Sure, indie artists can benefit from inflating their streaming numbers, but whatās in it for the record labels that engage in the practice? And are bundled album sales contributing to the problem?